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This volume contains two love stories which appeared long ago in Peterson's Magazine and marked the beginning of Mrs. Burnett's literary work. "Kathleen Mavourneen" and "Pretty Polly Pemberton" are all fascinating heroines with the world at their feet; their beauty, grace, and wit are well calculated to charm the impressionable hearts of "maidens in their teens." Mrs. Burnett's style was vivid even in those early days.
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The precocious child who encountered the burglar in the house at night and entertained him while he pillaged, so as to save her father, who was asleep in an adjoining room, was a creature of Mrs. Burnett's imagination. She was an entertaining youngster, as self-possessed and mentally alert, in her strange situation, as Lewis Carroll's Alice in her famous interview with the Mock Turtle.
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Mary Lenox no es una niña simpática: la falta de atención y afecto convirtió a esta pequeña en un ser amargado, rencoroso y tiránico. Sin embargo, tras una terrible serie de sucesos, Mary se ve obligada a cambiar de país e irse a vivir con su tío. Un día, tras estar jugando en el jardín, con su inusual amigo el pelirrojo, Mary descubre la llave de un jardín que ha permanecido cerrado durante diez años. A partir de este momento su vida empieza a cambiar, y todo lo que ella sabía de la amistad, del afecto, e incluso de ella misma, se tornará diferente, transformando por completo a la pequeña Mary. Frances Hodgson Burnett nos enseña la gran importancia que tiene el amor para el desarrollo saludable de los niños. El jardín secreto es, indudablemente, una novela que encantará tanto a niños como adultos.
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"The Making of a Marchioness" and "The Methods of Lady Walderhurst," although actually continuous, were published separately in some countries. "Emily Fox-Seton" is the combination of two in one volume. The rather commonplace hero and heroine, who, however, made such a romantic marriage, remain the same as to disposition, but placid Emily in her placid way goes through the most romantic and exciting adventures.
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Emily Fox-Seton is a young woman of good birth but no money who works as a companion and assistant for various members of the upper class. She lives in a rented room in a boarding house owned and run by Mrs. Cupp and her daughter, Jane. Her chief employer is Lady Maria Bayne, who is both very selfish and very funny, although she does come to care for Emily. One day, Lady Maria invites Emily to come to a country house party-and to act as Lady Maria's companion, which means she gets to participate in the social activities. The most important guest at the party is Lady Maria's cousin, the marquis James Walderhurst. Emily finds out that he lost his first wife and son many years ago, and if he wants an heir to inherit his title and estates, he must remarry and have another son. During the preparations for the party, a letter arrives at the estate with the news that Mrs. Cupp is selling the house where Emily lives and she breaks in tears. Moved by Emily's unfortunate destiny, Walderhurst takes pity and proposes her.
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This book contains eighteen beautiful children's short stories by Frances Hodgson Burnett including M re Giraud's Little Daughter, Esmeralda and Little Saint Elizabeth In M re Giraud's Little Daughter, Laure is the favoured child, young and stunningly beautiful she is the pride and joy of her mother, and is envied by all in her small village in France. At fifteen, she says, "I regretted that I was not a genius; at five and twenty, I rejoice that I made the discovery so early, and so gave myself time to become grateful for the small gifts bestowed upon me. Why should I eat out my heart with envy? Is it not possible that I might be a less clever woman than I am, and a less lucky one?"
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Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Frances Hodgson Burnett which are A Little Princess and The Secret Garden. English-born American author Frances Hodgson Burnetthad a long and productive writing career, during which she penned 55 titles, 5 of which became best-sellers and 13 of which were adapted for the stage. Although remembered primarily for her children's books, such as Little Lord Fauntleroy, A Little Princess, and The Secret Garden, Burnett also wrote for adults, including the well-received novel That Lass o' Lowrie's. Novels selected for this book: - A Little Princess - The Secret GardenThis is one ofmany books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
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This meticulously edited collection is formatted for your eReader with a functional and detailed table of contents: Introduction: Frances Hodgson Burnett from Children's Stories in American Literature by H. C. Wright Children's Books: The Secret Garden A Little Princess Little Lord Fauntleroy The Lost Prince Two Little Pilgrims' Progress Barty Crusoe and His Man Saturday Sara Crewe or What Happened at Miss Minchin's Editha's Burglar In the Closed Room The Land of the Blue Flower The Good Wolf The Little Hunchback Zia Little Saint Elizabeth, and Other Stories: Little Saint Elizabeth The Story of Prince Fairyfoot The Proud Little Grain of Wheat Behind the White Brick Queen Crosspatch's Stories: Racketty-Packetty House The Cozy Lion The Spring Cleaning Two Days in the Life of Piccino The Captain's Youngest Little Betty's Kitten Tells Her Story How Fauntleroy Occurred Novels: That Lass o' Lowrie's Theo: A Sprightly Love Story Haworth's Miss Crespigny Louisiana A Fair Barbarian Through One Administration Vagabondia The Pretty Sister of José A Lady of Quality His Grace of Osmonde In Connection with the De Willoughby Claim Emily Fox-Seton The Shuttle T. Tembarom The White People The Head of the House of Coombe Robin Short Stories: Surly Tim Esmeralda Mère Girauds Little Daughter Lodusky Seth One Day at Arle Le Monsieur de la Petite Dame The Woman's Way The Dawn of a Tomorrow My Robin
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A little Italian boy with a beautiful voice, who comforted Mrs. Burnett when she mourned for her son at San Remo, is the hero of the first story. It is slightly autobiographical, introducing the writer and her tender reminiscences of her lost boy. "The boy who became a Socialist" is a pleasant sketch of " Geof,' her second son. The other stories deal with children she has met all over the world-princes and peasants-and are full of a delightful humor.
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' Haworth's' is a product of genius of a very high order, a piece of work which will hold a permanent place in literature; one of those masterly performances that rise wholly above the plane of light literature upon which novels are generally placed."—- Evening Post. "It is but faint praise to speak of 'Haworth's' as merely a good novel. It is one of the few great novels. . . . As a story it is alive throughout with a thrilling interest which does not flat; from beginning to end, and, besides the story, there is in it a wonderfully clever study of human nature."—Hartford Courant. ''' Haworth's' will unquestionably be acknowledged one of the great literary achievements of the day. The chief feature is its intense dramatic power. It consists almost wholly of vividly-presented pictures, which so impress themselves on the mind of the reader, that the effect is more that of seeing the story acted than of reading it."—Boston Post.
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A remarkable story, which probably marked a unique experiment in fiction at the time it was first published. In it Mrs. Burnett has written the mans' side of the story, the woman side of which was given in her very successful "Lady of Quality" - and she has thus given an additional piquancy and interest to a story which could not have failed to be most widely read for its intrinsic strength and its forceful delineation of characters.
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"Little Lord Fauntleroy" – In a shabby New York City side street in the mid-1880s, young Cedric Errol lives with his mother in genteel poverty after the death of his father, Captain Cedric Errol. One day, they are visited by an English lawyer with a message from Cedric's grandfather, the Earl of Dorincourt, an unruly millionaire who despises the United States. With the deaths of his father's elder brothers, Cedric has now inherited the title Lord Fauntleroy and is the heir to the earldom and a vast estate. Cedric's grandfather takes him to live in England and be educated as an English aristocrat. "How Fauntleroy Occurred, and a Very Real Little Boy Became an Ideal One" is a story written by Frances Burnett in which she compared her famous creation Little Lord Fauntleroy and her youngest son Vivian. In many ways Vivian served as an inspiration for creating the fictional character Cedric Errol. Later in life he wanted to escape from those comparisons and separates himself from the fictional characters, but it was hard to shake them off.
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The novel consists of two plots or movements. Apparently wholly disconnected, but always, as the logic of events carries them on, bending nearer and nearer, until the principal dramatis personae meet in Washington, the keystone is slipped into place, and lo, the two are one! Mrs. Burnett possesses consummate constructive skill. When this keystone crowns the arch we see that every character and every event has contributed to the symmetry of the whole. Every part has been wrought and fitted with the artist's instinct for perfection. But analogies cannot be pushed too far, and the similitude of the arch may give a false impression of the two lines along which the story moves. They are, in their nature, wholly unlike. The one, from an opening doubly tragic, passes into the sweetest of idyls; the other from the fairest beginning into the darkest of tragedies.
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Sara Crewe es una niña extraordinaria que ha vivido una vida de ensueño a lado de su padre, el capitán Richard Crew, llena de aventuras y fantasía. Pero la vida de Sara cambia cuando llega. Ala escuela para señoritas; y después de recibir una triste noticia, es forzada a llevar una vida completamente diferente. El grandioso trabajo de Frances Hodgson nos enseña la resiliencia de las personas: cómo, a pesar de las circunstancias, uno puede salir adelante con sólo tener confianza en sí mismo.
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"Little Lord Fauntleroy" is the first children's novel written by English playwright and author Frances Hodgson Burnett. It was originally published as a serial in the "St. Nicholas Magazine" between November 1885 and October 1886, then as a book by Scribner's in 1886. The accompanying illustrations by Reginald Birch set fashion trends and "Little Lord Fauntleroy" also set a precedent in copyright law when in 1888 its author won a lawsuit against E. V. Seebohm over the rights to theatrical adaptations of the work.
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Little Lord Fauntleroy Frances Hodgson Burnett - In a shabby New York City side street in the mid-1880s, young Cedric Errol lives with his mother (known to him as "Dearest") in genteel poverty after the death of his father, Captain Cedric Errol. One day, they are visited by an English lawyer named Havisham with a message from young Cedric's grandfather, the Earl of Dorincourt, an unruly millionaire who despises the United States and was very disappointed when his youngest son married an American woman. With the deaths of his father's elder brothers, Cedric has now inherited the title Lord Fauntleroy and is the heir to the earldom and a vast estate. Cedric's grandfather wants him to live in England and be educated as an English aristocrat. He offers his son's widow a house and guaranteed income, but he refuses to have anything to do with her, even after she declines his money. However, the Earl is impressed by the appearance and intelligence of his American grandson and is charmed by his innocent nature. Cedric believes his grandfather to be an honorable man and benefactor, and the Earl cannot disappoint him. The Earl therefore becomes a benefactor to his tenants, to their delight, though he takes care to let them know that their benefactor is the child, Lord Fauntleroy. Meanwhile, back in New York, a homeless bootblack named Dick Tipton tells Cedric's old friend Mr. Hobbs, a New York City grocer, that a few years prior, after the death of his parents, Dick's older brother Benjamin married an awful woman who got rid of their only child together after he was born and then left. Benjamin moved to California to open a cattle ranch while Dick ended up in the streets. At the same time, a neglected pretender to Cedric's inheritance appears in England, the pretender's mother claiming that he is the offspring of the Earl's eldest son, Bevis. The claim is investigated by Dick and Benjamin, who come to England and recognize the woman as Benjamin's former wife. She flees, and the Tipton brothers and the pretender, Benjamin's son, do not see her again. Afterward, Benjamin goes back to his cattle ranch in California where he happily raises his son by himself. The Earl is reconciled to his American daughter-in-law, realizing that she is far superior to the impostor. The Earl planned to teach his grandson how to be an aristocrat. Instead, Cedric teaches his grandfather that an aristocrat should practice compassion towards those dependent on him. The Earl becomes the man Cedric always innocently believed him to be. Cedric is happily reunited with his mother, and Mr. Hobbs, who decides to stay to help look after Cedric.
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This volume contains four stories, different in kind, but alike in the grace and spirit of their handling. The pretty tale from which the book borrows its name has for heroine a little French girl brought up in an old chateau in Normandy by an aunt who is recluse and denote. Little Saint Elizabeth is educated very much as her great namesake may have been, in a round of religious observances varied by acts of charity,and is trained to meditate much on the state of her soul and the woes of other people. Her head is filled with legends of saints and martyrs, her heart with zeal to emulate their good examples, and also with deep and tender pity, a real hunger after helpfulness for all human suffering. A child of this type transplanted suddenly while still in childhood to the realistic atmosphere of prosperous New York, must inevitably have much to suffer. She is puzzled ; she is lonely; she has no one to direct her conscience. The quaint little figure blindly trying to guess the riddle of duty under these unfamiliar conditions is pathetic, and Mrs. Burnett touches it in with delicate strokes. We are all glad when at last she finds a friend, and when Uncle Bertrand learns to recognize and allow for the spiritual need which is the mainspring of her nature.
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A lady from New York, whose surroundings have been those chiefly of literature and art, is alone at a North Carolina watering-place, and amuses herself with a new and interesting type of Southern native humanity, a young girl of great beauty and simplicity, but utterly ignorant of the world in which Miss Olivia Ferrol has lived. The pathos of the story, while there is a touch of unreality about it, is fine and pervading, while the special charm is in the pictures of mountain life in North-Carolina. The book is graceful, and if the plot is a trifle artificial the execution is so skillfully and affectionately done that we are almost ready to forgive the author for limiting herself as she has.
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„Mała księżniczka” to niezwykle wzruszająca opowieść o rezolutnej i obdarzonej wielkim sercem Sarze. Dziewczynka wychowuje się na pensji. Z uwagi na majątek ojca początkowo traktowana jest iście po królewsku. Na skutek tragicznych wydarzeń traci wyjątkową pozycję, stając się pospolitą, źle traktowaną służącą. Mimo to zachowuje radość ducha i przyjazne nastawienie. Wkrótce los wynagrodzi jej trudy, które tak dzielnie znosiła.
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Odważna i pełna siły woli mała Sara, córka bogatego oficera, po śmierci matki przyjeżdża z Indii na pensję do Londynu Jej wyjątkowe uprawnienia zamożnej panny na ekskluzywnej pensji, kończą się jednak z chwilą śmierci ojca i utratą rodzinnego majątku. Na tej samej pensji doznaje upokorzeń i jest wykorzystywana do najniższych posług. Zachowuje jednak dzielną i pełną godności postawę. Jakby w nagrodę los sprawia, że odzyskuje majątek i pozycję społeczną.
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